Read source timecode at 24 25 30 50 60 frames/second,

Read record timecode at 24 25 30 50 60 frames/second

re-format the edl, and warn about inconsistencies between rec and source timecodes

adjust the out point of the source shots so as to match the duration of the record shots

adjust the in and out point of the source shots so that the length of the source shots is the same as the length of the record shots

add to src shots frames at the beginning (in point), and frames at the end (out point), then adjust rec shots so that the duration of rec shots is the same as src shots

translate the timecode of the src shots to 24 25 30 50 60 frames/second

copy the reel number to the source tc, and setup the shot speed to 0 (useful to have the baselight recognize edls having still images such as subtitles)

duplicate the data from the record shots to the source shots, then substract frames

fill the gaps in the edl by creating new shots

build a consolidation script for an image sequence, using as a first image

copy the long name of the reel into the shot name, and add

delete EDL extras (comments...)