, freelance editor and colorist
editing, color-grading, film-outs at Charbon-Studio
These tool serve to subtitle DCPs, and make reels.
Changelog (current version 0.06)
  • asdcp-test repaired to work on the new server
  • subs are now properly bottom aligned
  • change of default values for font size, vposition, and distance between two lines
  • improvement in validation against the smpte schema and the interop DTD
  • Thank you Wolfgang Woehl : correction of font URI (Interop), no more use of CDATA elements (Interop and smpte), no more redundant dcst: qualifications (smpte)
  • interop subtitles now have a schema hosted on this server and built from smpte specifications
  • smpte subtitles are run to validate the generated xml against smpte's xsl, and the output is displayed
  • asdcp-test output is displayed
  • mxf generation for smpte standard
  • smpte standard
This tool serves to generate an XML for DCP subtitling from the generators found inside a Final Cut Pro timeline.
There are two standards : CineCanvas (by Texas Instruments) for the old standard, Interop, and Smpte for the new standard. Tell us about the use you made of it. Download an example of the result.
1. prepare the timeline
2. upload a Final Cut Pro timeline
(remove)
3. (optional) upload a font file to be embedded in the mxf of smpte subtitles
(remove)
4. settings
standard : interop smpte
add an empty subtitle on the last image
Movie title (interop) or Content Title (smpte) (example)
Uuid
(leave empty to have one automatically generated)
reel number (example)
language (interop) (example)
language (smpte) (example)
editrate (smpte) (example)
timecoderate (example)
starttime (smpte) (example)
the URI of the font (interop) or its uuid (smpte) (interop example) (smpte example)
Font size (example)
make everything italic
If checked, all the titles will be italic. If unchecked, only the italic titles from Final Cut Pro will be set to italic
Space between two lines (example)
as a percentage of the total height
vertical align (example)
vertical position (example)
as a percentage of the total height and anchored to the vertical align